Happy August,
August is my favorite month because my husband and
daughter are both Leo the lion's. This is the time when I stop everything and
give you a snapshot of what I'm doing as an illustrator, for those of you who
are aspiring artists and writers, or who are teachers or librarians who teach
the creative process.
I am one quarter of the way through my 2011 picture
book, HOME FOR CHRISTMAS. I've already plotted out the story in my book dummy,
which I have showed to my editor Margaret, art director Cecilia, and designer,
Marikka. The book dummy helps me plan how much wordage to put on each page,
knowing that I will edit out about one quarter of the original manuscript. I
make my dummy like a small book, with sewn pages so I can turn each page. There
is something slightly suspenseful about a book, and how with each page turn, a
new scene will reveal itself. If I show my main character, Rollo the troll, from
a distance in the first few spreads, I want to show a close-up of him before the
story gets going, so we can get to know him. Besides having a tail, which trolls
are known for, he also is small and wiry. His face is heart shaped, with a low
hairline which is shaped somewhat like a hedgehog's. His large pointy ears make
me quite sure he's of the elfin clan. I tried to make his expressions
mischievous and feral, as if he is not an animal but he is not like my
10-year-old grandson either! Because he's so wild, I can imagine him off in the
woods for a couple of months, where his human counterpart couldn't survive. Some
of the best stories, whether they are science fiction, Greek myths, or stories
where animals talk, work well because of the new reality that my characters live
in.
I've noticed that when I see children's drawings, they
very naturally create characters that are not human, but have adventures,
attachments, and problems that are like people. It's inspiring to see children's
characters that have special powers or some amazing attribute like sparkling
hooves or green hair.
I'm working very hard at re-creating the remote and
ethereal landscapes we saw on our trip to Sweden. I don't believe that I've
lived another previous life, but when I experienced the land up around the
Arctic circle, in Norway, Baffin island, and in Arctic Sweden, I feel like I'm
reunited with a long-distant but familiar place. I want to lie on the ground and
smell the lichens and moss.
My art table is covered with birchbark, the material
that will form the borders of my book. I always see little faces and animals on
the bark because of the irregular black and white patterns. I'm going to put a
few of my accidental creature appearances in the border, even though they don't
move the plot along. Perhaps they speak to an olden days time when people look
carefully at the natural world in order to see signs that help them read what
has been happening in their world. Maybe they will add to a whimsical
atmosphere.
Besides HOME FOR CHRISTMAS I'm very happy to know that
my 1998 version of THE NIGHT BEFORE CHRISTMAS picture book will be reissued with
the companion CD. The Boston Pops commissioned a musical version of the 1823
poem by Clement Moore. My husband Joe plays in the Boston Symphony Orchestra,
and when they were little, we loved to take our kids to the Pops to see him play
THE NIGHT BEFORE CHRISTMAS. The music is so magical you can feel your skin
tingle. Years later when I illustrated the poem, I set it in Stockbridge
Massachusetts a few miles from where we live, and the Boston Symphony's summer
home. I like the way the book came out, but I've always wanted readers to
experience the music. Now, my dream has come true. The narrator will be Jim Dale
who will really make it come alive. The other musical pieces that I'd love to
illustrate, are THE FIREBIRD by Stravinsky, PEER GYNT by Edward Grieg, and PETER
AND THE WOLF by Prokofiev. First, though I have a turtle book in the works and a
folktale called THE TURNIP that I would like to do. I have a wooden toy that is
an enactment of THE TURNIP. It shows people and animals trying to pull a giant
turnip out of the ground. I love turnips and especially if they're yellow with
pinkish purple tops. What a great color combo.
I hope summertime has given you some time to work on
your own picture books and creating unusual characters.
Happy reading, your friend,
Jan Brett